Percussion drives emotions
Life
Vita and Timeline
ULLIP - percussionist and drummer
Shocking, for the “Generation About”, dangerous for the “Generation Oh-that-was-beautiful-before”: ULL! P makes punk. Punk as it was not known to date, although punk itself is old and forgotten - sorry: it seems. But punk has to do something that others do in a different way: make your way to yourself. Celebrate authenticity. And that's why ULL! P does something that is ancient, but in a completely new, unique way: authentic music
Whereby the word music needs some explanation: one is used to hearing melodies from and from instruments that usually sound harmoniously - pitch sequences and tone duration cascades, which together are called melodies. Not so ULL! P.
The perc behind its name says it and everything: it's about touched things that emit touching things as tone and sound.
Vulgo: Drumming, but in the "most impossible ways" so to speak, or in any amount, quite ordinary, as you think you already know. What ULL! P creates is to elicit new things from them, which in this driving rhythmic was seldom, hardly or never heard and is in others. Authentic Music is not about sounds for the outside world, but for oneself.
For everyone who wants to get involved with what starts with listening, but then takes on their own forms inside and spontaneous reflection - individual, siutative, emotionally controlled, not to say: driven. And so, and only so, is authentic. You yourself. Inside yourself.
Whether solo or en ensemble:
ULL! P does not drum “for the melody”, but contrasts and harmonizes - depending on the authentic, personal limbo - to dance the tones of other instruments and voices with his own (s). Beats turn into symphonies and the tempos tell whole stories. Punk: Forget everything formal, do what you are, listen to what corresponds to you, experience ULL! P, how you can use his perc - his "drumming" - right now. For your very own, very ephemeral or always manifest authenticity. For your you.
And as for ULL! P (Ulrich Putsch):
Someone made a trip around the world. Left a small village called Punk-Musik, the birthplace of Neue Deutsche Welle at the time. A long time ago.
ULL! P wandered, raced, musically floated around and through the world. Restless. Like his “music”, his perc (who's still to be told: naturally stands for percussion, drums, drums, rhythm tools). And now he's back where it all started: in the village of Punk. That is no longer there, hardly anyone still lives there, but ULL! P brings something back from his journey that seems contradictory and, on closer inspection, is full of logic: real punk. The real authenticity (ok, yes, it's a white mold, real authenticity).
Punk “on a higher, far higher” level: is it still punk or something new? New, nöööö, why?
Punk was and is not bad. You just have to let yourself be dominated by him - and vice versa, "can" him / it. Like ULL! P. Uniquely authentic.
Shocking, for the “About Generation”, dangerous for the “Generation Oh-that-was-beautiful-in the past”: ULL! P makes punk. Punk as it was not known to date, although punk itself is old and forgotten - sorry: it seems. But punk has to do something that others do in a different way: make your way to yourself. Celebrate authenticity. And that's why ULL! P does something that is ancient, but in a completely new, unique way: authenticmusi c
Whereby the word music needs some explanation: one is used to hearing melodies from and from instruments that usually sound harmonious - pitch sequences and tone duration cascades, which are collectively called melody. Not so ULL! P.
The perc behind its name says it and everything: it's about touched things that emit touching things as tone and sound.
Vulgo: Drumming, but in the “most impossible ways” so to speak, or in any amount, quite ordinary, as you already think you know. What ULL! P creates is to elicit new things from them, which in this driving rhythmic was seldom, barely or never heard and which is with others. Authentic Music is not about sounds for the outside world, but for oneself.
For everyone who wants to get involved with what starts with listening, but then takes on their own forms inside and spontaneous reflection - individual, siutative, emotionally controlled, not to say: driven. And so, and only so, is authentic. You yourself. Inside yourself.
Whether solo or en ensemble:
ULL! P does not drum “for the melody”, but contrasts and harmonizes - depending on the authentic, personal limbo - to dance the tones of other instruments and voices with his own (s). Beats turn into symphonies and the tempos tell whole stories. Punk: Forget everything formal, do what you are, listen to what corresponds to you, experience ULL! P, how you can use his perc - his "drumming" - right now. For your very own, very ephemeral or always manifest authenticity. For your you.
And as for ULL! P (Ulrich Putsch):
Someone made a trip around the world. Left a small village called Punk-Musik, the birthplace of Neue Deutsche Welle at the time. A long time ago.
ULL! P wandered, raced, musically floated around and through the world. Restless. Like his “music”, his perc (whom I still have to say: naturally stands for percussion, drums, drums, rhythm tools). And now he's back where it all started: in the village of Punk. That is no longer there, hardly anyone still lives there, but ULL! P brings something back with him from his journey that seems contradictory and, on closer inspection, is full of logic: real punk. The real authenticity (ok, yes, it's a white mold, real authenticity).
Punk “on a higher, far higher” level: is it still punk or something new? New, nöööö, why?
Punk was and is not bad. You just have to let yourself be dominated by him - and vice versa, "can" him / it. Like ULL! P. Uniquely authentic.
1974 to 1976 - Instrumental Gigs and Filmproduktion WDR (with Heiner Lauterbach)
1975 until now - studies of drums (notation and play)
1975 to 1977 - formation of the first band "Trail"
Various shows and participation in "Show 76" one of the first talent shows
1978 to 1986 - Foundation of the punk band "SYPH"
Many LPs and samplers were created with Holger Czukay from, among others CAN
1980 to 1983 - Studied clay editing and sound engineering with Holger Czukay
1981 to 1986 - Foundation of the first recording studio "Drinking water"
in Solingen
1981 to 1983 - Study of PA construction and acoustics experiments, including on and with the Müngstener Brücke
1981 to 1982 - founding of the duo "MIDI DIVISION"
first attempts to combine electronic music with acoustics
1981 to 2003 - formation of the band "Bit's"
(Ullip / Jahnke / Wolter / Gaubis / Kutschma) including Michael Karoli Damo Suzuki
1982 to 1982 - Bits are at the Documenta 7
1985 to 1986 - Relocation of the recording studio to the Fehlfarbenstudio in Wuppertal (div productions for SYPH, Pina Bausch)
1987 to 1996 - Various solo projects and experiments with samplers, drum machines and new recording technology
1998 to 2003 - Various gigs with "Damo Suzukis Network" (including Jahnke / Fati / Hendricks / Humbla, Sharp / La Master)
1998 to 1999 - Reremastering of older SYPH LP's in Atatak Studio for re-release in Japan on Captain Trip
2000 to 2003 - revitalization of the band "Bit's"
and studio recordings (Jahnke / Ullip / Donarski / Polonski)
1998 to 1999 - production of various film music for Peter Braatz, among others - "Germany from the outside"
2000 to 2004 - Study of the latest studio techniques Production of electronic music "Affinity Album"
2004 to 2010 - project"Soul of Furniture"
with Sunny Heigths and Klaus Jülich
2005 to 2006 - sound engineering live for the band "Drops of Brandy"
2006 to 2008 - project with the band "Groundwater"
by Dominic v. Senger (ex Phantomband, Unknown cases)
2005 to 2009 - collaboration with the ensemble "Mama Africa"under Papa Malik Diouf from Cologne
2005 to 2008 - study of African rhythms
2005 to 2012 - project with Sunny Heigths as DUO "Drums & Voice"
2010 to 2012 - project with the percussion ensemble "Cainos"
4 percussionists make "new music"
2012 to 2014 - Master's degree in oriental rhythmsHakim Ludin
(including perc at Konstantin Wecker / Maffay)
2012 to 2013 - Videos with Lars Bunse from Indicato and others. for Majid Drums "UDUWOOD" and other artists
2013 to 2015 - development of a new percussion style "Percodrumming"
A percussion hybrid set is created
2013 to 2015 - Various sound journeys organized in large public spaces, including in BüBa Wuppertal
2013 to 2014 - collaboration with Namakua Pedro Bley
to produce "soul music" (CD is made)
2013 to 2015 - project Positive Creative World Ensemble
(including with Jens Pollheide, Afshin Gavami, Eddi Held, Kristian Terzic)
2013 to 2014 - project with Jo summer
(Didgeridoo)
2014 to 2015 - project with the band "Collectiv foli"
around Dieter Weberpals and musicians from Lanaja and Slog (Guitar)
2014 to 2016 - Various workshops on the subject of free improvisation with drums
2015 to 2016 - project band "Flordelavida"Production of a CD and tour through Europe
2015 to 2016 - project"Soundwave Foundation"
with Weberpals & Huck (Nuremberg)
2015 to 2016 - project"Magic Forest Ensembles"
(Ullip / Brück / Soley) various gigs and production of 2 CD's
2015 until now - Project Duo"Ullip & Soley"
2017 until now - solo projects in the new "Bergton Studio"
in Andalusia (Dreaming Reality, El Baterista, Un Do Fi, New Brain)
2018 until now - project with Mateo Alvarez
begins
2019 to now - project "Hispanic Connection"
will be founded
2019 until now - studying flamenco and working with the flamenco guitarist José Roman
2020 until now - project with the trumpeter Steven Craven
(Malaga Philharmonic Orchestra) CD production
2020 to now - projects with Quinn Aubke, Alan Clayton and Serge Mangin
2020 until now - recording of another 10 music productions in the mountain sound studio
I have worked with these musicians in my musical life, thank you very much for these experiences and what has given my musical life.
May those who forgive me forgive me.
Jojo Wolter, Mateo Alvarez, Holger Czukay, Michael Karoli, Hakim Ludin, Damo Suzuki, Uwe Jahnke, Peter Braatz, Steven Craven, Dominik v. Senger, Mandjao Fati, Papa Malik Diouf (Mama Africa), Rick Hambla, Elliot Sharp, Holger Hiller, Jaki Liebezeit,
Eela Soley, Keef Roberts, Jonathan del la Master, Shu Ni Zu, Dieter Weberpals, Norbert Kirchner, Thomas C. Brueck, Matthias Keul, Markus Gärtner,Farah Diouf, Sunny Heigths, Klaus Jülich, Claus Feldmann, Pina Bausch Ensemble, Stephan Hendrick, Ben Wyneken, Kristian Terzić, Dinesh Mishra, Jose Roman, Rafael Moreno Linares, Astrid Nelom, José Antonio Segura, Afshin Ghavami, Eddi Held, Jim Galakti , Jens Pollheide, Hans Peter Salentin, Zhang zhi Yong, Jo Sommer, Gintaras Gaubis, Waldemar Kutschma, Boris Polonski, Jürgen Huck, Ricardo Alvarez, Birgit Reimer, Pedro Namakua Bley, Abdula Sinka,Mouhamadou Sall, Pyrolator, Frank window maker,Ulrich Rasch, Dietrich Rauschtenberger, Kai Angermann, Uwe Fischer Rosier, Hendrik Eichler, Cordelia Loosen Sarr, Thomas Kox, Lee Hansujot Singh, Annakee Sky, Thorsten Abel, Viola Livero, Cordulla Lippke, Thomas Schwebel, Behnam Sarmani, Frank Göllmann,Gloria Göllmann,Lukasz Dworak, Wilfried Schewik, Stevko Busch, Matthias Kurzhals, Dirko Juchem, Vic Anselmo, Paolo Denuzzi, Gunnar Nesterov, Mbe Kiomaars, Gottfried Herrmann, Georg Zangl, Doc Shoko, Ralf Bauerfeind, Martin Gerke, Hans Georg Wenke, Isabel Gilton, Phillip Humburg, Ignacio Béjar,Udo Berger,Zoran Velinov, Matthias Goebel, Gerhard Neumann, Gofefo Konate, Petit Solo Diabate, Markus Kullmann,Djielifily Sako, Chico origin,Aziz Kuyateh, Stefan Kling, Samuel Forster, Anna Donarski, Carsten Steffens, Bernhard Mielchen, Jens Zygar,
Guillermo Salò, Marcial Heredia, Alan Clayton, Rafa Rafael Gómez, Paul Rouse, Heriberto Saxo, Eliza Handley, Angel Ariza, Noslen Kuba, Jesus Muñoz Lopez, Dani Harp, Juan Carlos Garcia Cid, Serge Mangin
and all the others.....
Fusion of visual arts with sound design
I've always been very interested when different artistic forms of expression can be merged. This found its expression in projects with: Zoran Velinov, Serge Mangin, Edda Fröhlich, Christoph Barth, Pina Bausch Ensemble, Imi Knoebel, the magic forest project and Saskia Clemens.